Best Packaging Design Agencies (2026)

Turner Duckworth is best for consumer brands that want packaging, logo, typeface, and illustration designed as one system. Design Bridge and Partners suits heritage food and drink makers unifying a varied product range. Pearlfisher fits grocery and private label brands that need a packaging architecture covering many product categories.

Brand Identity Desk editors

A pack has to work on a crowded shelf and as a thumbnail on a retailer's website. Packaging design turns what a brand should mean into a system that holds together as the range grows, with type that reads at a distance and color that signals flavor. Every agency here shows packaging projects for named brands on its own website.

We compared them on four checks: packaging work we could open, the brand strategy shown behind it, how well each system handles a large or growing range, and whether prices are published.

At a glance

AgencyKnown forBest for
Turner DuckworthPackaging and identity systems for food, drink and consumer brandsConsumer brands wanting packaging, logo, typeface and illustration designed as one recognizable system, paired with brand strategy
Design Bridge and PartnersPackaging for heritage and family-owned food and drink brandsHeritage food and drink makers unifying a varied product range under one brand, paired with brand strategy
PearlfisherPositioning and package design for food, beauty and private labelGrocery, private label and personal care brands needing packaging architecture across many products, paired with positioning
CBXBrand strategy and packaging for packaged food brandsNatural and packaged food brands repositioning for a premium price point, paired with brand strategy and portfolio architecture
Coley Porter BellMasterbrand strategy and packaging for long-established consumer brandsEstablished food brands expanding into many markets needing a masterbrand and pack architecture, paired with brand strategy
ElmwoodPackaging and brand worlds for consumer food and drinkChallenger food brands defending a lead against bold new competitors, paired with brand identity and innovation platforms
MarksBrand and packaging design within a large packaging production groupSpecialty food brands modernizing for younger shoppers and more shelf space, paired with brand platforms and photography

Packaging and identity systems for food, drink and consumer brands

Why it made the list

Turner Duckworth has designed brand identities and packaging since 1992 and has belonged to Publicis Groupe since 2014. Crumbl, a cookie company that grew from one store, already had a distinctive box. The studio refined the old wordmark and turned the box's shape into an icon. It also drew an illustrated world, the Crumblverse, and created Crumbl Sans, a custom variable typeface for everything from small utility text to bold display. For Blue Diamond's barista almond milk, it designed cartons for coffee counters.

Who should shortlist Turner Duckworth?

Consumer brands with a signature product or pack that want everything around it to be just as recognizable.

Notable clients

Crumbl, Blue Diamond, Icelandic Provisions

Covers

Packaging design, brand identity, typography, illustration, brand strategy

Founded 1992

Recognition: Pentawards 2025, Gold

Packaging for heritage and family-owned food and drink brands

Why it made the list

Design Bridge and Partners, which WPP created by combining Design Bridge with Superunion, works from 16 studios. Pastiglie Leone, a candy maker founded in Turin in 1857, needed a brand that unified a diverse portfolio while keeping its artisanal character. The typography draws on Turin's classic street signs, and the pack patterns come from the shapes of the candies, with each pack sealed by a gold L from the family archives. For Padre, an olive oil from a family farm in Puglia, it designed a hand-drawn signature and label.

Who should shortlist Design Bridge and Partners?

Long-established food and drink companies with a loyal following and a product range that has grown untidy.

Notable clients

Pastiglie Leone, Padre, Holsten Edel

Covers

Packaging design, brand strategy, brand identity, communications

Recognition: Pentawards 2025

Positioning and package design for food, beauty and private label

Why it made the list

Pearlfisher was founded in 1992 by three designers and works from studios in London and New York as a certified B Corp. Best Yet, a private label brand dating from 1893 and owned by C&S Wholesale Grocers, needed one identity to express quality and trust across its whole product range. Pearlfisher worked on positioning and portfolio architecture with the C&S brand team, then built a visual system in which each product category has its own color foundation to help shoppers find their way.

Who should shortlist Pearlfisher?

Retail and grocery brands with hundreds or thousands of products that need one design framework shoppers can navigate.

Notable clients

Best Yet, SunsolveMD, NÜTRL

Covers

Positioning, portfolio architecture, design strategy, visual identity, package design

Founded 1992

Brand strategy and packaging for packaged food brands

Why it made the list

CBX is a brand agency that also designs packaging. Organicville had spent more than 20 years making organic food affordable. Newer shoppers linked premium prices with better ingredients, and the category's muted palettes made the brand blend in. CBX repositioned it around the idea that the boldest flavors come from real organic ingredients. The new packaging system pairs a bold logotype with an ingredient-led palette and hand-drawn illustrations, built for store shelves and digital commerce.

Who should shortlist CBX?

Consumer goods brands known for value that want to justify a higher price without losing the trust they have earned.

Notable clients

Organicville, Maranatha, Applegate

Covers

Brand strategy, visual identity, packaging design, portfolio architecture, naming

Masterbrand strategy and packaging for long-established consumer brands

Why it made the list

Coley Porter Bell, a WPP agency, dates from 1978 and runs studios in London and New York. King Oscar, a 145-year-old Norwegian canned fish brand, had grown into many markets with an inconsistent, fragmented look that was hard to navigate. Coley Porter Bell set a new masterbrand strategy and brought back the brand's bold red across the portfolio. A brand architecture and guidelines now keep the range consistent. It also refreshed the packs of a long-running British jam biscuit.

Who should shortlist Coley Porter Bell?

Older brands whose packs have drifted apart across markets and variants, and who want them recognizable as one brand again.

Notable clients

King Oscar, Botanics, The SCAN Foundation

Covers

Brand strategy, packaging design, brand architecture, brand guidelines, brand identity

Founded 1978

Packaging and brand worlds for consumer food and drink

Why it made the list

Elmwood is an MSQ agency with studios on three continents. HECK!, a family-led sausage maker from Yorkshire, needed to stand out again as competitors arrived with bold designs. Elmwood dropped the category's butcher clichés and made hot pink the brand's signature color, with the exclamation mark as a visual element and a new wordmark by the letterer Dan Forster. Illustrations help shoppers find products, and the work set up What the HECK!, a platform for new product launches.

Who should shortlist Elmwood?

Category leaders facing newer, louder rivals that want a bolder look and a platform for new products.

Notable clients

HECK!, The Very Collection, Horizon Organic

Covers

Brand strategy, brand identity, packaging design, portfolio strategy, innovation

Recognition: Transform Awards Europe 2024, Bronze (The Week)

Brand and packaging design within a large packaging production group

Why it made the list

Marks is the brand and packaging design division of Propelis, a packaging and production group. As Alouette, a French specialty cheese brand, approached its 50th anniversary, Savencia Cheese USA asked Marks to modernize it for younger shoppers. Marks built the platform "Invite the unexpected to the table" and redrew the little lark as a brand symbol. Custom letterforms echo the cheese's creamy swirl, and a bright color system marks each flavor. Brand and packaging guidelines let other teams extend the system.

Who should shortlist Marks?

Food brands with a premium heritage that want to feel relevant to younger shoppers and win more space with retailers.

Notable clients

Alouette, Savencia Cheese USA

Covers

Brand platforms, packaging design, brand identity, photography and campaign assets, guidelines

How to choose a branding agency

A packaging system should be judged on the whole range

It has to hold up across many flavors and sizes, plus next year's launches. Pearlfisher gave each product category of a store brand its own color foundation, and Coley Porter Bell built a brand architecture for a canned fish range sold in many markets.

Heritage cues can be kept and redrawn

Design Bridge and Partners drew a candy maker's new typography from the street signs of its home city, and Marks redrew a cheese brand's lark symbol for a younger audience. Both kept the cues shoppers knew and changed how they looked.

Some brands break the category's color code

Categories can share a look, such as muted tones for organic food or butcher cues for meat. CBX gave an organic brand a palette drawn from its ingredients, and Elmwood made hot pink the signature of a sausage brand.

Packaging now has to work online as well

CBX designed its organic client's system for physical retail and digital commerce, and Turner Duckworth built a custom typeface meant to work from small digital uses to large display.

What packaging design costs

None of the seven agencies publishes fees, so quotes follow scope. The number of products and sizes matters most. A changing identity and packs for several markets add to it, and structural work on the pack's shape is often priced on top.

Frequently asked questions

How much does packaging design cost?

None of the seven here publish fees. Quotes depend mostly on how many products and sizes need artwork, then on whether new illustration or photography is needed and how many languages the packs carry.

How long does a packaging redesign take?

Strategy and design come first, then final artwork for every product and size, and printer proofs. A single hero pack moves fastest. A full range with dozens of products, as in Coley Porter Bell's canned fish work across many markets, takes far longer because every pack needs final artwork.

What does a packaging design agency do?

It decides how a product should look and communicate on the shelf and online: the logo and type on pack, color coding for flavors, imagery, the order of claims and the rules for future products. Many also handle the wider identity and guidelines.

When should a brand redesign its packaging?

Common triggers are a range that has grown inconsistent, newer competitors making the brand look dated, a move to a higher price point, or a push into new markets. Elmwood refreshed a sausage brand when bold new rivals arrived, and CBX repositioned an organic brand to support premium pricing.

What is the difference between packaging design and brand identity?

Brand identity is the full system of logo, color, type, imagery and voice used everywhere. Packaging applies that identity to a specific product and adds what the shelf needs, such as flavor coding, product names, claims and legal text. Packaging work can reshape the identity too, as Turner Duckworth's did when it turned a cookie brand's box into an icon.

How does packaging design work across a large product range?

Through an architecture: rules for what stays the same on every pack and what changes by category, flavor or size. Pearlfisher built a store brand's system around a color foundation for each product category, so shoppers can find their way across the range.

What we looked for

We began with packaging case studies on each agency's own site, counting only the ones we could open, with the client named and the packs shown. Next came the strategy behind the design, such as positioning or portfolio architecture, and then how well each system holds together as a range grows. We also checked whether the work reaches beyond the shelf into the identity and guidelines, and noted whether fees or award years are published.

Related guides